Venus 金星

Venus is the planet that rules love of all forms and creation. Astrologically, she is never more than 48° away from the Sun. She can only appear near Sunrise, when she is the Morning Star, or near Sunset, when she is the Evening Star. Her influence in manifestation is usually helpful, and she is known as the Lesser Benefic.

The Janya of Venus: Sai Sushuri

Sai Sushuri dollIn the Filianic Tradition, the Janya, or Great Angel, that governs Venus is Sai Sushuri, and Sai Sushuri is associated with the element of Water.

Sai Sushuri is the Janya of Love. Modern interpretations of historical gods and goddesses associated with Her reduce Her role to merely romantic love or fertility.  Sai Sushuri governs all forms of Love, however. She governs Divine Love, motherly love, and love of friends and family. It can be said that Sai Sushuri is the Warmth of the Sun. Sai Sushuri is also the Janya associated with Creation, and she is responsible for its beauty.  Sai Sushuri’s association with Venus/Aphrodite is well-known, but she is also associated with Sri Mahalakshmi in the Vedic tradition, and Our Lady Mary in all of Her images as Loving Mother.

Feminine Scripture provides a beautiful description of the Divine Love associated with Sai Sushuri and Her role in manifestation:

Love is the soul of harmony by which all existence is made possible.

For perfect existence is of the Spirit, its very nature is Love. The pure soul is in harmony with Dea and with her self and with all things.

And for the existence that has fallen from perfection; truly it is the music of Divine harmony that sustains it in the motion of its wholeness.

It is Love that holds the drop of dew pendent on a blade of grass, neither flowing forth in watery profusion, but swelling within the unseen urn of its brief harmony.

It is Love that holds the stars within their courses, and all the worlds of the immeasurable cosmos within the harmony of the celestial music.

Truly, all the cycles of the times and the seasons; all the rhythms of the soul and of the mind and of the flesh: truly all these flow from the love of Our Lady, the Maid, that creation may not decompose, each several member flying away into black eternal chaos.

For Light is the essence and Love is the form. And it is by Love that the essence of a tree remains a tree. Else might it as lief become a rushing wind or a forkèd lightning flash.

The Gospel of Our Mother God, The Clew of Love, 1-7

Sai Sushuri’s Pentacle

Sai Sushuri’s symbol is the pentacle. The number 5 can be seen in all of Creation, down to the number of fingers on each of our hands and toes on each of our feet. Sai Sushuri’s pentacle can also be seen in the orbit of her planet, Venus.

Spirit and the Material World

sign-of-sai-sushuri1The glyphs of the traditional planets are made from three symbols, the Circle of Spirit, the Crescent of Soul, and the Cross of the Material World. These glyphs are the same as the glyphs for their Janyati.

In Sai Sushuri’s glyph, the Circle of Spirit, or the connection with the Solar is on top of the cross of the material world. This symbol shows that the material world comes down from pure Spirit, but is still governed by Spirit. This is a gentle symbol reminding us of the Source of our existence.

Astrological Associations of Venus

Sect: Night

Oriental Element: Kin 金 (Gold or Metal)

Rules Taurus, Night House

Earth Taurus

Rules Libra, Day House

Air Libra

Exalted in Pisces

In Detriment in Aries and Scorpio

In Fall in Virgo

Daytime Triplicity Ruler of Earth and Water

In Joy in the 5th House

Temperament:

Oriental (in front of the Sun): Hot and Wet

Occidental (behind the Sun): Cold and Wet

Day of the Week: Friday

Orb: 7° (Moiety 3.5°)

Colors: Green, pink

Plants: Lilies, violets, daffodils, apple trees, thyme

Animals: Deer, panther, goats, sparrows, nightingales, pelican, dolphins

Metal: Copper

Stones: Cornelian, sky-colored sapphire, red and white coral, lapis lazuli

The Way of Love

There is a spiritual path associated with each of the non-Luminary Janyati. Each path is complete in and of itself and if followed fully, will lead to the Divine. That being said, the path associated with Sai Sushuri is one of the two purest, along with the path of Sai Mati. Sai Sushuri’s path is that of kindness and compassion, or the Way of Love. The Way of Light and the Way of Love may seem like separate paths, but they are intertwined. It is said, “Perfect Love is Perfect Knowledge, and Perfect Knowledge is Perfect Love.”

The Outer Planets: the Pseudomythos of “Higher Octaves” and “Transcendence”

A while back, I wrote an article about a theory that the Outer Planets represented the three poisons of the modern world, atomization, deracination, and deformation.  This article can be found here.

I have recently had the occasion to further consider the Outer Planets, and some of the pseudomythos that has arisen surrounding them.  In many ways, the pseudomythos* surrounding the Outer Planets is an outgrowth of the pseudomythos of Evolution.  Indeed, in New Age astrology, the Outer Planets seem to be almost the agents of evolution, with the belief that the Outer Planets are the “higher octaves” of traditional planets and that they bring about “transcendence,” which is, according to this pseudomythos, a better or higher state of being.

Higher Octaves

While there are many variations of the “higher octave” theory, the most common one is that Uranus is the “higher octave” of Mercury, Neptune is the “higher octave” of Venus, and Pluto is the “higher octave” of Mars.  The first and foremost problem with this theory is that all of the traditional planets are representatives of the Janyati, or aspects of the Divine.  The existence of a planet that is a “higher octave” robs these planets of their status as one of the Seven Great Planetary Janyati.  Indeed, the associations given to the Outer Planets have been robbed from the traditional planets.  For example, the association of genius with Uranus usurps Mercury’s place as the representative of Divine Intelligence.  Similarly, the association of Sacrificial Love to Neptune usurps Venus’ place as the representative of Divine Love, which includes Sacrificial Love.  Indeed, the associations for both Mercury and Venus have been severely watered down in Modern Astrology.

Interestingly, the associations for Pluto have not seemed to really take anything away from Mars, except of course, the rulership of Scorpio.  The associations for Pluto seem to be a combination of the worst Tamasic qualities of Mars and Saturn.  Actually, the associations of Pluto seem to be the most honest, in that they are about as malefic as one can get.   Yet, there is a strange notion that Pluto is “transformational,” but as Prof. Clark stated in his article, Into the Outer Darkness, “let’s just say that if Pluto is ‘transformational’ so is nuclear war and high levels of toxic radiation.”

Actually, assigning rulerships to the Outer Planets is problematic in and of itself.  In the article, Into the Outer Darkness, Prof. Clark explains the traditional system of rulership of the planets to the signs.  In this system, each of the non-luminary planets rules two signs, with a day sign and a night sign.  The malefics, Mars and Saturn are thought to be better in the signs that are the opposite of their nature.  Mars benefits by the coolness of night, and Saturn benefits by the warmth of day.  The night sign of Mars is Scorpio, and the day sign of Saturn is Aquarius.  In assigning the rulership of Scorpio to Pluto and Aquarius to Uranus, the malefics are stripped of the signs they are the strongest in.  There is much more to say about these rulership assignments, but that could be an article in and of itself.

Transcendence

The other main pseudomythos that has arisen surrounding the Outer Planets is the notion of “transcendence.”  The notion that transcendence is positive is a Tamasic notion.  Transcending means to go beyond the normal boundaries.  Yet, in Filianism, and I think in traditional thought in general, boundaries are positive.  As it states in the Clew of Love in the feminine Scripture,

And for the existence that has fallen from perfection; truly it is the music of Divine harmony that sustains it in the motion of its wholeness.

It is Love that holds the drop of dew pendent upon the blade of grass, neither flowing forth in watery profusion, but swelling within the unseen urn of its brief harmony.

It is love that holds the stars within their courses, and all of the worlds of the immeasurable cosmos within the harmony of the celestial music.

Truly, all the cycles of the times and the seasons; all the rhythms of the soul and of the mind and of the flesh; truly all these flow from the love of Our Lady, the Maid, that creation may not decompose, each several member flying away into black eternal chaos.

To go higher is to ascend.  In the Filianic Mythos of the Daughter, the Daughter ascends to Heaven.  Similarly, in the Christian narrative, Jesus ascends to heaven.  To go below is to descend.  To transcend is to go beyond the boundaries of Love, or to fly away into “black eternal chaos.”

Ordered Solar System

I think that this concept of “transcendence” is similar to the modern assertion of being “spiritual, but not religious.”  I do understand the frustration people experience with the overly literal and overly systematized state of modern religion, particularly Christianity.  I also understand that the separation of the religious and the secular is rather artificial.  On the other hand, what I have found that often when people say they are “spiritual, but not religious,” it is really a form of katte ni suru.  Katte ni suru is a Japanese phrase roughly meaning, do what you want, or do your own thing.  In Western thought, this is seen as positive, but in Japan, this is quite a scathing insult.  This implies that one no longer is a part of the group or the community.

We are also cautioned against this in The Sermon of the Apple Seed, “Dissonant and jarring with eternal Harmony, the little sphere is severed from the great.”

The Outer Planets are also at times called “transpersonal,” meaning that they are beyond or outside of the personal.**  Yet, the traditional and Filianic teaching is that maid in a microcosm of the entire Cosmos.  As it states in The Secret of the World, “And this is the secret of the world which the world would hide from you: that all things lie within the souls of maid, and only High Dea is without.”  Now, one could argue that the “transpersonal” planets are a part of High Dea.  The difficulty with that is that High Dea, or the Dark Mother, is by definition beyond anything we can understand from an un-Enlightened state.  If we have reached a level of Enlightenment whereby we could understand the Dark Mother, we would have no need of astrology to guide us in our lives.

The Luminaries and the Filianic Trinity

I think that the modern fascination with the Outer Planets and with “transcendence” is part of the phenomenon of Tamasic Dialectic Miss Alice Lucy Trent described in The Feminine Universe.  Tamasic (downward) forms take on a resemblance to Sattwic (upward) forms, in part because they both move away from the Rajastic (outward) forms.

I believe that there is a Sattwic form that the notions of “higher octaves” and “transcendence” invert.  To explain this, I think an understanding of the Filianic Trinity is helpful.  These concepts are certainly not unique to Filianism, and I believe that they are universal in Traditional thought; however, Filianism has a useful Mythos and vocabulary to explain the concept.

In the Filianic Creation Mythos, the Mistress of all Things created all of manifestation in joy and laughter.  During this time, Primodial Maid danced and laughed with the Mother and all was golden.  Each Maid and all of Creation “became the image of a golden fragment of Her Spirit.”  In the cosmos, this is loosely associated with Sai Raya, the Sun, or our Solar Spirit.

After a time that can not be counted, because there “were neither days nor nights, nor moons to tell the month,” Maid was tempted by the Snake, who “had not been shaped by Her, and that was not Her daughter, nor a creature of spirit. But this was the space between the fragments and the nothingness that had been before things were. It had not energy nor delight, but only weight. It had not shape, but could only coil and uncoil itself about the things that were.”  The Snake was “not golden, but black.”

In this Mythos, Maid was tempted to embrace rest and created Darkness.  Then the Snake tried to destroy Creation with a Flood, but Creation was rescued by the Mother.  The aftermath of this turning and Flood is described as follows:

1. And as the rain fell, the light came again, and a rainbow appeared in the sky, shedding its light upon all things. 2. And whereas all things had been golden, now they took on every hue and colour, and the world was beautiful; but it was not so beautiful as it had formerly been.

3. And She set Her seven Powers in the firmament, giving one to rule each colour of the earth.

4 And She said to Her daughter: what you have done may not be undone, for you have acted with My Spirit, and henceforth shall time be divided into day and night that you may rest. 4 But I shall keep watch in the heavens by night, and there shall be silver light that there may never be complete darkness. 6. By this shall I govern the movements of the waters, that the earth may never again be flooded. 7. The golden light of day will bring all goodness, but it will be too bright for your eyes. The silver light of night, that you may look upon.

8. The Snake shall keep the form that you have given it, and you shall be set in governance over it; but remember that it will ever attempt to beguile and destroy you as it has this night.

9. I shall not live as close to you as before, but still I shall pour blessings upon you, and you may give Me gifts — not in every moment as before, for you have learned to tire, but My light shall give you signs in this matter.

10. And the Mistress of All Things withdrew Herself into the sky, until She seemed but a slender crescent of light. 11. And the first daughter of creation fell to her knees and wept. And these were the first tears shed upon the whole of the earth.

As I stated before, in the Filianic Trinity, the Mother is loosely associated with Sai Raya, the Sun, or Solar principle.  That which was before and beyond the Mother Creatrix is the Dark Mother, who is the “Darkness beyond the Light, and the Light beyond the Darkness,” but who is also completely beyond our understanding.  The Dark Mother is loosely associated with Sai Rhavë, whose planetary representative is Saturn.

The bridge between the Mother and Creation, who has turned from the Mother, is the Daughter, who is loosely associated with Sai Candre, the Moon, or the Lunar principle.  She is the “silver light of night, that you may look upon.” The Daughter is also the aspect of the Filianic Trinity that sustains all of Creation.

My very humble attempt at an illustration of the Traditional Model of the Cosmos
My very humble attempt at an illustration of the Traditional Model of the Cosmos

Interestingly enough, in contemplating the Traditional Model of the Cosmos, one can see that the spheres between the Solar and the Lunar are the Spheres of Sai Mati/Mercury and Sai Sushuri/Venus.  These respectively represent the spiritual Way of Light and Way of Love.  Both the Matic and the Sushuric principles are seen in a lower form in the Lunar principle and in a higher form in the Solar Principle.  The lower form of the Matic principle is Lunar Reason, and the higher form is Solar Intellect.  See Mummies and Lunimaries.  Sadly, this article has already gotten quite long and involved, so I will have to leave the explanation of how this works with the Sushuric principle for another day.  The Way of Love and the Way of Light are intertwined, however.  As it says in Scripture, “perfect love is perfect knowledge and perfect knowledge is perfect love.”

Contemplating the Traditional Model of the Cosmos further, one can see that the Sun is in the center.  Just beyond the Solar Sphere is the Sphere of Sai Vikhë or Mars.  The highest form of the Vikhelic Principle is that of protection and rescue.  In the Filianic Mythos, it is the Mother that rescues and defends Creation from the Snake.  So, in some ways, I think that one can consider the Solar Principle as the highest form of the Vikhelic principle as well.

Interestingly enough, you can see the Solar Circle in the glyphs for Sai Mati/Mercury, Sai Sushuri/Venus, and Sai Vikhë/Mars.**

So, as you can see, there is no need to reach into “the Outer Darkness” with the Outer Planets for “transcendence.”

_________

*a pseudomyth is a story-picture that falsely replaces traditional myth as the fundamental story of “how things are”

**As explained in the article, the traditional planets are all representatives of Janyati.  Below is a quotation from the Chelouranyan explanation of the Janyati:

In the first place, let us be clear that the Janyati are not “forces” or “energies” conceived after the model of Newtonian physics (and dearly beloved of New Age movements). They are Intelligences. They are not people like us, it is true. But they are something more than people, not less than people. The greatest force in the universe is less than a person. It cannot think. We are speaking here of Intelligences immeasurably greater than ourselves. They have everything we people have, magnified a thousand times, and they have many qualities we cannot even conceive of. To picture them as something akin to people may not do them justice, but to picture them as something impersonal, like a force of nature, would do them infinitely less justice. They are everything we are and much more.

***if one truly contemplates the glyphs associated with the Outer Planets using the tradition meaning for the symbols of the Circle, the Crescent, and the Cross, the meanings for them are chillingly demonic.  One can clearly see how they can not be “higher octaves” of anything!