Saturn 土星

Saturn is a difficult planet. She is the Greater Malefic, and her associations are the banes of human existence. Hardships, difficulties, blockages, the passage of time, old age, and death are all in her domain. Yet, these are all essential for manifestation. Saturn is necessary for our existence.

The Janya of Saturn: Sai Rhavë

sairhaveThe Janya or Great Angel that governs Saturn in Filianism is Sai Rhavë.  Sai Rhavë is one of the three Janyati associated with the Feminine Trinity. Sai Raya is associated with the Mother, Sai Candre is associated with the Daughter, and Sai Rhavë is associated with the Dark Mother.

One of the big debates in monotheistic religions is whether God is imminent and with us in our daily lives, whether God is a Creator who is apart from Creation, or whether God is so far beyond us to be incomprehensible to us. In Filianism, this is not a debate, but all three are true. In order to help us understand this, we use the model of the Feminine Trinity. I say, model, because the full Truth is beyond our capability. For this reason, in a sense, all religious doctrines are models. Just as we cannot truly see the Solar System but use models and pictures to understand it, in the same way, we need models and pictures to comprehend the Divine.

In the Trinity, the Mother is our Creatrix. She made us and loves us unconditionally. Yet, we became separated from her. In the Filianic tradition, like the physical Sun, She is “too bright for us to look upon.” Because of this, She gave birth to the Daughter. The Daughter is the aspect of Dea that is with us and cares about our earthly needs. When we experience the presence of Dea, it is always in one of the forms of the Daughter.

The Dark Mother is the aspect of Dea that is completely beyond our comprehension. While the Mother is too bright for us to look upon, the Dark Mother is beyond our perception altogether. She is the holder of the Mysteries that we cannot understand from an unEnlightened state, such as why suffering and evil exist or how Evil and Good are both necessary parts of manifestation. In the Filianic Tradition, she is “the Darkness beyond the Light and the Light beyond the Darkness.”

Of Her, not much can be said, but this passage from The Gospel of Our Mother God may help a little.

She that hath no beginning nor any end; She that did stand in the heart of chaos and make all things harmonious, She that doth bear the worlds within Her hand; the maid that knoweth Her is truly free.

She that is the maker of being and of unbeing; She that is all that is and all that is not; the maid that knoweth her in truth hath left all worlds; hath left in truth the body and the mind.

The Clew of the Horse, 45-46, Authorised Version

For obvious reasons, there can be no images of the Dark Mother. On the other hand, even though She is associated with the Dark Mother, Sai Rhavë is also one of the Seven Great Angels, and there are some feminine images for her. These include Kali from the Vedic Tradition and all “dark” and “crone” forms of goddesses. Filianism does not recommend direct devotion to the Dark Mother or to Sai Rhavë.

Saturn Returns

The Saturn or Rhavic principle is a paradox. On one hand, it is beyond manifestation, and its highest level is no less than Enlightenment itself. On the other hand, it is deeply wound up with the material world and what binds us to it. One of the ways that the Rhavic principle/Saturn binds us to materiality is through time. Saturn is the great timekeeper of our lives.

The Saturn cycle marks all of the natural ages for our rites of passage towards maturity. The first time transiting Saturn squares our natal Saturn is at the age of seven, which is considered the Age of Reason. We have our first Saturn opposition at the age of fourteen, which is the average age of puberty. Our second Saturn square is when we are twenty-one, which is the common age when children are considered full adults.

The first time that Saturn returns to the position it was in when we were born is when we are around 29.5 years old. The age we are during our first Saturn return can vary, however, from age 27 to 30, and because of retrogrades, it can last for a couple of years. This marks the end of the first stage of our lives as we move towards full maturity.

Our second Saturn return happens between 57 and 60, and it is at this stage that we move from “mature adult” to “honored elder.” If we live to age 87-90, we will have a third Saturn return. A very small handful of people may live to their fourth Saturn return, which would be around 117-120 years old, but that is very rare indeed.

For most people, Saturn divides our lives into three parts: childhood, maturity, and old age. Of course, a 25-year-old is not a child and a 62-year-old is not exactly old, but the Saturn boundaries are real. Once they are crossed, we change dramatically.

The Material World and the Soul

Each Janya and her planet have the same glyph. All of the glyphs are made from a combination of three symbols, the Circle of Spirit, the Crescent of Soul, and the Cross of the Material World.

Saturn GlyphAs in the glyph for Sai Thamë, the Circle of Spirit, or the connection with the Solar, is absent. There is just the Soul, or the connection with the Lunar, and the material world. In Sai Rhavë glyph, however, the material world is sitting on top of the Soul. This seems an apt depiction. Unlike in the glyph for Sai Vikhë in which the cross is off to the side, in this glyph, the cross is directly over the Soul and dominating it.

Astrological Associations of Saturn

Sect: Day

Oriental Element: Tsuchi 土 (Earth)

Rules Aquarius, Day House

Air Aquarius

Rules Capricorn, Night House

Earth Capricorn

Exalted in Libra

In Detriment in Leo and Cancer

In Fall in Aries

Daytime Triplicity Ruler of Air

Participating Triplicity Ruler of Fire

In Joy in the 12th House

Temperament:

Oriental (in front of the Sun): Cold and Wet

Occidental (behind the Sun): Cold and Dry

Day of the Week: Saturday

Orb: 9° (Moiety 4.5°)

Colors: Indigo, brown, and black

Plants: Hemlock, fern, poppy, moss, mandrake, hemp, willow, and pine

Animals: Cats, dogs, serpents, mice, eels, tortoises, and bats

Metal: Lead

Stones: Sapphire, lapis lazuli, all black stones, and all stones that are unpolishable

The Way of Renunciation

All of the non-Luminary planets have a spiritual path that is associated with them. The spiritual path associated with Saturn is that of renunciation or releasing oneself of all social status and material belongings. This is a hard path. It is the way of the hermit or the spiritual beggar.

See Also:

Sleeping Beauty and the Three Faces of Saturn

The Astrology of Sailor Moon – Part VI: Sailor Saturn

Sleeping Beauty and the Three Faces of Saturn

Like Cinderella, Sleeping Beauty is an iconic fairy tale. In the Aarne-Thompson-Uther Classification of Folk Tales, Sleeping Beauty stories are given the classification number 410 and there are at least twenty-two of them throughout the world. I found the French version, which was collected by Charles Perrault, of particular interest.

Saturn, the One Not Invited

In the Perrault version of Sleeping Beauty, seven fairies were invited to the christening of a long awaited princess so that they could give her gifts. As an astrologer, whenever I see the number seven in a story, I immediately look for symbolism with respect to the seven traditional planetary powers. Each of these fairies were given place settings of pure gold, set with diamonds and rubies.

There was also one old fairy who was not invited. According to this version of the story, “She had not left her tower for fifty years, and people believed that she was dead or under a spell.” This description is a classic representation of the planetary power of Saturn. In the material realm, Saturn is the Greater Malefic, and represents the passage of time, as well as isolation, death, and difficulties or curses. Saturn is rarely invited, yet comes into our lives whether we want her or not. While the King made her a place at the table, he did not have a gold place setting for her, and she was insulted.

sleeping beauty christening

When it came time to give the little princess her gifts, one of the fairies held back, suspecting that the older fairy would attempt some mischief. The rest of the fairies gave their gifts.

The youngest gave her the gift that she would be the most beautiful person in the world, the second that she would have the mind like an angel, the third that all of her actions would be admirable, the fourth that she would dance perfectly, the fifth that she would sing like a nightingale, and the sixth, that she would play every musical instrument to perfection.

I believe that the traditional planetary powers are the seven main aspects of the Divine, and that as microcosms of the Divine, humans as Axial Beings have reflections of these powers within ourselves.  I also believe that humans have Free Will, and thus, we can express these powers in an ordinary material fashion, and in their highest and lowest forms. I also believe that each human has a True and a False Self, and that we can manifest True and False versions of all of the planetary powers.

The gifts of the six fairies represent the highest or True versions of their respective planetary powers. Some of the gifts are quite clear. The “mind like an angel” is the gift from Mercury, the ability to “play every musical instrument to perfection” is the gift from Jupiter, and certainty “that all of her actions would be admirable” is the gift from Mars. The other three are a little less clear, however, I would say that the ability to “sing like a nightingale” is the gift from Venus, the ability to “dance perfectly” is the gift from the Moon, and that “she would be the most beautiful person in the world” is the gift from the Sun.

sleeping beauty spindle

Then it was the old fairy’s turn, and she “declared that the Princess would prick her hand on a spindle and die.” After that the fairy in hiding said,

Do not worry, King and Queen, that your daughter shall die: it is true that I do not have enough power to undo entirely what my elder has done. The Princess will prick her hand on a spindle; but instead of dying, she shall only fall into a deep sleep that will last one hundred years. In the end, a king’s son will awaken her.

This is the Saturn principle at its highest. In the material world, Saturn is indeed a malefic. Because we are mortal, in a sense, every life is a tragedy. Suffering and death are always with us. Yet, I believe that there is a higher reality, and True Saturn is the gift of transcendence and Enlightenment. Rather than dying, the princess will sleep and be awakened into a new and better reality.

The Ogress

In the next part of the story, the princess does succumb to the curse and sleeps for a hundred years, and a king’s son does undertake a bold adventure to find her. This represents the Soul’s search for the Spirit, and I may write about this at a later date. In the Perrault version, however, the waking of the princess is not the end of the story. There is a second part.

sleeping-beauty_ogressIn the second part of this version, the prince and the princess must marry in secret, because the prince’s mother was “descended from ogres” and seemed to have an appetite for children. They live together in secret for more than two years and have two children together, a daughter named Aurora, meaning “Dawn,” and a son named Jour, meaning “Day.”

After two years, the prince’s father dies, and he becomes the king. At this point, he discloses his marriage and his children. As the king, he is obliged to go to war, and he leaves his country and his family in the care of his mother.

His mother takes this opportunity to order that the children one by one and then the king’s wife be cooked and served to her with a mustard sauce. Rather than complying with this horrid order, the head waiter hides the children and the wife away and served the ogress other meat telling her that it was the children and the wife.  The ogress discovers the deception and attempts to kill them herself in a huge vat filled with toads, vipers, snakes, and serpents. The King returned just in time to see what was happening, and the ogress was so enraged that she threw herself in the vat and “was devoured in a moment by the loathsome creatures she had put there.” After that, the “King could not help but be grieved, since she was his mother, but it was not long until his beautiful wife and children brought him all the comfort he needed.

I think that the ogress mother in this part of the story signifies the third face of Saturn, or False Saturn. The old, uninvited fairy represented ordinary, material Saturn, or death, loss, and hardship. The ogress was intentionally cruel and vicious. In this version, after finding the princess, the prince turned king must fight one more battle before coming into his power and having a happy ending. This battle is against his False Self at its worst, False Saturn. Even though he knew about his mother’s potential for cruelty, he negligently leaves his family and his country in her care as he goes off to war. The False Self only has the power we give it. With the help of a kind soul in the form of the head waiter, his family is spared until he returns. False Saturn destroys herself when recognized for who she is, and they all live happily ever after.