One of the things that took me some time to understand when incorporating Classical Astrology into the Filianic Tradition was the relationship and the differences between the planets, the cosmological spheres, and the Janyati. Western Medieval and Renaissance Astrology has been studied under the backdrop of the Abrahamic religions, Christianity, Islam, and Judiasm, for almost two thousand years. With the fierce monotheistic nature of these religions, I think that the role of the Janyati became minimized. By the Hellenistic period, the planets became associated with Greco-Roman gods and goddesses. All legitimate Traditions throughout history have recognized that there really is only One Divine Source. On the other hand, that Divine Source may be seen through Her different Aspects, or the Janyati. At certain points in history, Tradition deteriorated to the point where the Janyati were seen as separate goddesses and gods, but their true nature is that they are Aspects of the Divine Source.
There are other Janyati besides the planetary Janyati. Some examples are Sai Werde, Sai Annya, and Sai Maia. For purposes of this article, however, it is the planetary Janyati that are most relevant.
The planetary Janyati are Angels and Aspects of Dea. They are unchanging and perfect. According to the Sacred Mythos in feminine Scripture, they came about after Primordial Maid turned from the Mother and could no longer look upon Her brightness. The Golden Light separated into seven colors, which represent the Janyati. For a fuller description of the planetary Janyati, please see this article.
When we start entering the realm of Cosmology, we are entering into the realm of manifestation. There is a mistaken Western notion that manifestation is limited to the sublunary sphere, the world that we can experience with our senses. The sublunary sphere includes the earth, everything in the sky, and everything in what modern scientists would call the universe. All of the planetary bodies and the fixed stars are part of the sublunary sphere of existence.
Between the sublunary sphere and the Highest Heaven are the Cosmological Spheres, as I discussed previously in this article. The sphere of the Fixed Stars is already part of manifestation and has already moved from the Center. That is why we can talk about evil fixed stars, like Algol. The actual fixed stars are in the sublunary sphere of flux and change but they are also representations the higher spheres. As above, so below.
While the Janyati are pure and perfect aspects of Dea, they cast light throughout the lower spheres of manifestation. The light they cast becomes less and less perfect the further it moves from the Center. Each person and each moment of time is a microcosm of the entire cosmos, which also includes each of the Janyatic principles. This is written in the fabric of the sublunary sphere in the movements of the heavenly bodies. This is also why we can talk about positive and negative expressions of the Janyatic and planetary principles. The Janyati are perfect. The expression of their light in individuals is not.
Here is an example that might help with understanding. The Archetype of the Flower belongs to Sai Sushuri (Venus). A flower is a flower because it is a reflection of the Divine Archetype of a Flower. This is a perfect correlation. When we start talking about individual physical flowers and types of flowers, the correlation becomes much less perfect. Even though the Divine Archetype of Flower belongs to Sai Sushuri, different physical flowers might be associated with other Janyati for various reasons, such as their color, their physical properties, mythology surrounding the flower, and so on. Sometimes, the associations are obvious, sometimes the reasons for the association have been obscured in a broken and fallen tradition.
There is a concept contained in Classical Astrology that works well to illustrate and explain how this works. This concept is the Almuten Figuris, or the Lady of the Soul. A Filianist may also think of the Almuten Figuris as her Guardian Janya. The calculation that I use for this is the one recorded by Ibn Ezra. This point can be calculated by hand or through software. There are, of course, other calculations used by other fine Classical Astrologers; however, I have found the Ibn Ezra calculation to be the most useful and accurate in my own practice.
The Almuten Figuris or Guardian Janya is the Janya that is a person’s strongest connection with her True Self and with Dea. Please forgive me for discussing my own chart, but I think that one’s Guardian Janya is rather personal. To me, it seems impolite to share such personal information about anyone other than oneself in public. It does help to have a specific illustration, though; so for this purpose, I will use my own chart.
My Guardian Janya is Sai Sushuri (Venus). This means that in following the path to my True Self, I need to connect with Sai Sushuri. The Way of Love is my path to the Divine. If I get lost, I need to look to Divine Mercy and to Divine Love and let them run through me.
On the other hand, my Guardian Janya being Sai Sushuri does not mean that I will seem Sushuric or even have many Sushuric traits. Mars (Sai Vikhë) is actually stronger in my chart. I also have Jupiter (Sai Thamë) and the Moon (Sai Candre) very close to my Ascendant. If one were to be looking for a planet or a Janya that described my personality or how I would seem to act, those three planets would give a much better description of this. Sometimes one’s Guardian Janya will seem to govern personal traits of the native; sometimes she will not.
The position and condition of the Guardian Janya in the Nativity Chart will show the extent to which a Native will manifest the traits of her Guardian Janya and will give clues and guidance as to how easy or hard it is for her Guardian Janya to guide her. In my case, Venus has many dignities; however, she is Combust, or within 8 degrees of the Sun. This represents the 
main barrier to Sai Sushuri’s ability to guide me. The Sun in a Nativity in her low form represents the ego. The Sun in my chart also rules my 10th House, the house of career and public recognition. So, in my case, Sai Sushuri is inhibited by my tendency to hide, and by my ego and career. Interestingly in my chart, Venus is separating from Combustion, so it is predictable that I would find it easier to come under Sai Sushuri’s guidance later in life. Those of you who are following my current spiritual journey in my diary on my personal blog will likely see how this is manifesting as I have gotten older.
Filianists who know their Guardian Janya can also use symbolism related to their Guardian Janya on their home shrines to help them connect with their Guardian Janya. On my own shrine, I have a pink doily with a pentacle that I made myself and a sand dollar given to me by a friend that shows Sai Sushuri’s signature in manifestation.
See also:
Who’s in Charge? Disposition and the Almuten Figuris
The Wisdom of Our Grandmothers 
How do you find out what your birth chart is? It is something that I have been wondering for some time now.
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Generally one would have an astrologer cast the chart for you, or there are sites on the Internet that can be used. In order to have a chart cast, you need your date of birth, time of birth (as exact as possible), and place of birth.
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As someone who is *not* an astrologer and has tried those sites, I cannot overstate the value of having one’s chart done by a good astrologer.
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Oh gosh, thank you Cure Ocha. You should only use a site to calculate the chart, if you don’t have software. If you want to have it interpreted, a good, competent astrologer is needed.
This is a good thing actually to explain. Charts contain a LOT of information. Some of the information is confusing and contradictory. This is not surprising, because people are often confusing and contradictory as well. What an astrologer can do that a computerized interpretation can not do is to put everything together so that it makes sense.
A computer generated interpretation will go through all of the little bits and explain them with a stock interpretation separately. It may be fun to read, but it tends not to be helpful. An experienced astrologer will sort through the bits, know what is important and what is less important, and explain things in context.
A good metaphor is language. In order for words to have meaning, they need to be put together with grammar in a logical format.
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And a machine chart-interpretation is probably about as good as a machine translation, I would guess!
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I would imagine (thinking of the strange things Google Translate does with Japanese)!
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In your illustration of the celestial spheres, the sign for Sai Vikhe differs from the sign used from the planet Mars, that is, the barb is restored to a cross. If you are inclined, a discussion of the symbolism of these signs might be of significant interest to your readers.
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Yes, actually, that is part of why I included the drawing I made, as silly as it is, rather than using the many illustrations that are available all over the Internet. While my little drawing does not have the dignity of those illustrations, it does restore the proper symbolism. I am not sure how the cross of Sai Vikhë got changed to the barb of Mars. It does seem to be symbolic of the unbalanced Martial/Vikhelic influence that has so dominated the Iron Age, though, doesn’t it?
I have discussed the symbolism of the cross at length. I have been thinking of an article related to the two other symbols used in the planetary glyphs, the solar circle of the Spirit, and the lunar crescent of the Soul. When I took classes in Classical Astrology, the very first exercise was drawing the planetary glyphs after instruction as to the three symbols, meditating on the symbolism and writing about how this informed the meanings of the planets. I admit that, at the time, I thought it was a bit of a silly exercise. I foolishly and arrogantly thought that I had practiced astrology (albeit Modern Astrology) for a long time previously, and I certainly knew the glyphs. I did it anyways, of course. It was one of the best exercises I did, and I am very grateful to my teacher for assigning it!
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